The Andra

Lesbian pupils with marcantes traces of feminilidade. Boys who represent the masculinidade. ' ' It is exactly this convivncia of several of these vises of articulated individual and the citizen to the social one, to the question of the Real and the truth that goes to empty in the paradoxes that express the complexity of contemporneo&#039 well; ' (VILLAA, 1996, p.55). The subjectivity of each one is produced by the one of the existence of a speech that always is in constitution, in this manner raises the multiple retractions of individual. The attempt of setting of an identity, represented for the Andra personage, indicates the necessity to give existence and visibility to a category excluded for the society and to analyze that, as well as the others that if present of estereotipada form, it has yes vitimao given for social and psychological conflicts. Being that the resistance the institutionalized repression also demonstrates the variety of possible papers inside of this identitria construction that the author promotes.

Several other aspects could be pointed of the reading of the workmanship. Some of its resources are resembled or been gifts in other workmanships, the question of the heading, for example, it is associated with the intention of what Rivers intend to explicitar in I are a lesbian (2006), the identity already is disclosed, what is had of the content is to uncurl of the history of the discovery and auto-affirmation of the personages, already You trace in Them and better exemplificando with tickets of the text – I add two you trace. – You trace? Why? I do not want to be I trace, I prefer to be a white mushroom of the weeds, you already I saw? He is so Pretty, so white, seems one pompom of cotton, but he is poisonous. – I I trace am it, I belong to the family of the tineidas ones perhaps and of the tisanuros, of the sort lepisma, I am what he destroys little by little, he does not see fringing of my wings and the nails in form of hooves? – They are not hooves! I prefer that you are a buzzer.

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